Carly Rae Jepsen’s *Kiss*: A Carly Tuning Review

Carly Rae Jepsen’s 2012 album, Kiss, followed the meteoric success of her breakout single “Call Me Maybe.” This Carly Tuning Review delves into the album’s strengths and weaknesses, examining its catchy pop sound, notable collaborations, and overall lasting impact. Did Kiss capitalize on the “Call Me Maybe” momentum, or did it fall short of expectations?

A Deep Dive into Kiss: Track by Track and Beyond

Kiss arrived with high expectations, riding the wave of “Call Me Maybe’s” global domination. The album largely sidesteps the prevailing pop trends of 2012, avoiding dubstep breakdowns or excessive electronic influences. Instead, it focuses on delivering polished pop tunes with Jepsen’s distinctive vocals at the forefront.

The album opens strong with tracks like “Tiny Little Bows” and “This Kiss,” showcasing bright synths, disco rhythms, and undeniably catchy hooks. While initially sugary, these songs reveal their charm with repeated listens. “Call Me Maybe,” strategically placed as the third track, seamlessly integrates into the album’s flow while still maintaining its unique appeal. The slightly electro-dance “Curiosity,” carried over from Jepsen’s earlier EP, further demonstrates her versatility. Each of these early tracks boasts thoughtful production and showcases Jepsen’s commitment to her craft. Notable key changes and subtle nuances elevate these songs beyond typical bubblegum pop.

However, Kiss isn’t without its missteps. The collaboration with Owl City on “Good Time” feels lazy and uninspired, a stark contrast to the rest of the album’s carefully constructed pop. Similarly, the duet with Justin Bieber, “Beautiful,” feels shoehorned in with its acoustic instrumentation and lyrical similarities to Bieber’s own “What Makes You Beautiful.”

The album’s midsection loses some momentum with tracks like “Turn Me Up” and “Hurt So Good,” which, while not bad, lack the distinctive spark of the earlier songs. Fortunately, Kiss recovers towards the end. The Max Martin-produced “Tonight I’m Getting Over You” injects a welcome dose of club-pop energy. “Guitar String/Wedding Ring” stands out with its crunchy guitar riff and soaring chorus, proving to be a last-minute highlight. The closing ballad, “Your Heart Is a Muscle,” while lyrically corny, still manages a satisfying conclusion.

Carly’s Commitment: The Driving Force of Kiss

Jepsen’s genuine enthusiasm and commitment to the material shine throughout Kiss. Her vocal performance consistently engages the listener, even on the album’s weaker tracks. This dedication suggests that Jepsen understood the importance of Kiss in solidifying her post-“Call Me Maybe” career.

Lasting Impact: A Serviceable Pop Record

Kiss may not be a revolutionary pop album, but it’s a solid collection of well-crafted songs. While some tracks fall flat, the album’s highlights, combined with Jepsen’s undeniable charm, make it a worthwhile listen for pop music enthusiasts. Kiss ultimately served its purpose: establishing Carly Rae Jepsen as more than just a one-hit wonder. While its long-term impact remains to be seen, it undeniably holds up as a enjoyable pop record.

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